The trees cracked whips and they curtsied, too; they gave the victory sign and the peace sign, called for another round of that old soldier’s joy, and they gave God and other side the fine middle finger.

I have a new short story up at the literary review the museum of americana. You can read it here—and at just over 900 words, it’s like one of those Little Millers in the pony bottles, done before you know it.

“We’ll Always Have Shiloh,” is the third published piece adapted from my picaresque novel about a Mississippi Delta folk artist named Ivy Coldwater. Ivy first appeared in “I’ll Take You There,” on Harper Perennial’s Fifty-Two Stories site, in 2012. In December, she was back in “Sources of Outlaw Country,” in Eucalyptus Lit.

The full novel, long completed and described (by me) as a cross between a spiritual journey and a beer run, is currently titled THE COLDWATER GIRL, and will be published someday, I solemnly hope.

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Everybody Knows: an excerpt

He tried the crank radio, a pirate station out of Memphis. Static and guitar scratch, the straggling notes of a song about home. The DJ came on and said, “We got reports of flooding from Paris and Brownsville, from Bunk and Christfallen. They say Nashville’s been swallowed up whole, drunk down, poor dear. Governor Flattery, he made it out, but
only just. Said to be ensconced on the steamer Clementine, headed west here to Memphis Town, for to establish a new capitol, high up on our bluff. Well, well. Come on if you’re coming, Guv.”

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